Korg KRONOS2 88

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Korg KRONOS2 88

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Kronos2 88

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Synthesizer KORG Kronos2 88

KRONOS restores the magic, the thrill, and the promise that only a visionary new instrument can provide. And KRONOS delivers on that promise. Every resource and technology of service to the modern musician has been refined, perfected, and integrated into a single instrument, and is available on demand. Multiple state-of-the-art sound generation techniques represent the pinnacle of software realization. Onboard effects open the door to processing any internal or external audio source with dazzling results. Multitrack audio and MIDI recording deliver efficient studio operations in a mobile platform. Hands-on hardware includes an assignable control surface, dual joysticks, ribbon controller, top-of-the-line keyboard action, and KORG’s revolutionary tap-and-drag color TouchView™ display. Best of all, KRONOS integrates all of these music-making resources into a single instrument in ways that no software setup or hardware platform can rival.

KRONOS ฟื้นคืนความมหัศจรรย์ ความตื่นเต้น และคำมั่นสัญญาที่เครื่องดนตรีใหม่ที่มีวิสัยทัศน์เท่านั้นที่จะให้ได้ และ KRONOS ก็ทำตามคำมั่นสัญญานั้น ทรัพยากรและเทคโนโลยีทุกอย่างสำหรับการให้บริการแก่ผู้เล่นดนตรียุคใหม่ได้รับการปรับปรุง พัฒนา และรวมเข้าไว้ในเครื่องดนตรีชิ้นเดียว และพร้อมใช้งานเมื่อต้องการ เทคนิคการสร้างเสียงที่ล้ำสมัยหลายแบบถือเป็นจุดสูงสุดของการสร้างซอฟต์แวร์ เอฟเฟกต์บนเครื่องเปิดประตูสู่การประมวลผลแหล่งเสียงภายในหรือภายนอกใดๆ ด้วยผลลัพธ์ที่น่าทึ่ง การบันทึกเสียงและ MIDI แบบมัลติแทร็กช่วยให้ทำงานสตูดิโอได้อย่างมีประสิทธิภาพบนแพลตฟอร์มมือถือ ฮาร์ดแวร์ที่ใช้งานได้จริงประกอบด้วยพื้นผิวควบคุมที่กำหนดได้ จอยสติ๊กคู่ ตัวควบคุมริบบิ้น การทำงานคีย์บอร์ดระดับสูงสุด และหน้าจอ TouchView™ สีแบบแตะและลากอันปฏิวัติวงการของ KORG สิ่งที่ดีที่สุดคือ KRONOS ผสานทรัพยากรการสร้างดนตรีทั้งหมดเหล่านี้เข้าไว้ในเครื่องดนตรีชิ้นเดียวในลักษณะที่การตั้งค่าซอฟต์แวร์หรือแพลตฟอร์มฮาร์ดแวร์ใดๆ ไม่สามารถเทียบได้

Korg Kronos 2 88

Berlin Grand

Nine Distinct Sound Engines

Each of the individual KRONOS sound engines is eminently qualified to operate as a stand-alone synthesizer. And each one represents the cutting-edge technology available for that type of sound creation. Exacting programming parameters, real-time controllers, integrated effects, and assignable modulation routings provide incredible control for creating custom edits or for the ambitious sound designer

เอ็นจิ้นเสียง KRONOS แต่ละตัวมีคุณสมบัติเหมาะสมอย่างยิ่งที่จะทำงานเป็นซินธิไซเซอร์แบบสแตนด์อโลน และแต่ละเอ็นจิ้นก็เป็นตัวแทนของเทคโนโลยีล้ำสมัยที่มีให้สำหรับการสร้างเสียงประเภทนั้น พารามิเตอร์การเขียนโปรแกรมที่แม่นยำ ตัวควบคุมแบบเรียลไทม์ เอฟเฟกต์ที่ผสานรวม และการกำหนดเส้นทางการมอดูเลชั่นที่กำหนดได้นั้นมอบการควบคุมที่เหลือเชื่อสำหรับการสร้างการแก้ไขแบบกำหนดเองหรือสำหรับนักออกแบบเสียงที่มีความทะเยอทะยาน

Enhanced SGX-2 Grand Piano Sound Engine

The KRONOS piano engine has always offered huge collections of non-looped/natural decay stereo samples, recorded for every key, with additional unique tools to customize the piano to your needs. Inheriting all of this SGX-1 functionality, the new enhanced SGX-2 Grand Piano engine introduces the new Berlin Grand piano to the existing deep German Grand and lively Japanese Grand. The Berlin Grand offers resonant piano sound with a striking sense of depth.

Other enhancements to the SGX-2 engine included Sympathetic String Resonance and newly-recorded Una Corda (soft pedal – literally “one-string”) samples.

เอ็นจิ้นเปียโน KRONOS มอบคอลเลกชันตัวอย่างสเตอริโอแบบไม่วนซ้ำ/สลายตามธรรมชาติจำนวนมากที่บันทึกไว้สำหรับทุกคีย์ พร้อมด้วยเครื่องมือพิเศษเพิ่มเติมเพื่อปรับแต่งเปียโนตามความต้องการของคุณ เอ็นจิ้นเปียโนแกรนด์ SGX-2 ที่ได้รับการปรับปรุงใหม่ซึ่งสืบทอดฟังก์ชัน SGX-1 ทั้งหมดนี้ นำเสนอเปียโนแกรนด์เบอร์ลินใหม่ให้กับแกรนด์เยอรมันที่ลึกล้ำและแกรนด์ญี่ปุ่นที่มีชีวิตชีวาที่มีอยู่ แกรนด์เบอร์ลินให้เสียงเปียโนที่ก้องกังวานพร้อมความรู้สึกถึงความลึกอันน่าทึ่งการปรับปรุงอื่นๆ ของเอ็นจิ้น SGX-2 ได้แก่ Sympathetic String Resonance และตัวอย่าง Una Corda (ซอฟต์เปดัล - แปลว่า "สายเดียว") ที่บันทึกไว้ใหม่

Massive Sound Selection

KRONOS comes equipped with thousands of sounds, created using various synthesis modes and calling upon over approximately 21 GB of preset waveform data covering a variety of genres. Each one has been carefully crafted by the KORG Sound Design team. The internal SSD offers a generous 62*GB capacity, providing enormous space for user sampling or downloading KRONOS Sound Libraries. These optional expansion KRONOS Sound Libraries add new professionally programmed sounds—without the need to add any new hardware.

Artist Signature Programs provide the priceless sounds actually used by top-ranking musicians. Additional Song Programs are named for the classic rock and pop songs whose signature keyboard sounds these programs recreate. Use these universally well-known sounds to pay homage to the originals, or as the basis for personal sonic explorations.

KRONOS มาพร้อมกับเสียงนับพันเสียงที่สร้างขึ้นโดยใช้โหมดการสังเคราะห์เสียงต่างๆ และเรียกใช้ข้อมูลเวฟฟอร์มที่ตั้งไว้ล่วงหน้ากว่า 21 GB ซึ่งครอบคลุมแนวเพลงต่างๆ แต่ละเสียงได้รับการสร้างสรรค์อย่างพิถีพิถันโดยทีมออกแบบเสียงของ KORG SSD ภายในมีความจุ 62*GB ซึ่งให้พื้นที่มหาศาลสำหรับการสุ่มตัวอย่างของผู้ใช้หรือดาวน์โหลด KRONOS Sound Libraries ไลบรารีเสียง KRONOS Sound Libraries ส่วนขยายเสริมเหล่านี้จะเพิ่มเสียงใหม่ที่ได้รับการเขียนโปรแกรมอย่างมืออาชีพโดยไม่จำเป็นต้องเพิ่มฮาร์ดแวร์ใหม่ใดๆ

โปรแกรม Artist Signature มอบเสียงอันล้ำค่าที่นักดนตรีชั้นนำใช้จริง โปรแกรมเพลงเพิ่มเติมได้รับการตั้งชื่อตามเพลงร็อคและป๊อปคลาสสิกซึ่งโปรแกรมเหล่านี้สร้างเสียงคีย์บอร์ดที่เป็นเอกลักษณ์ขึ้นมาใหม่ ใช้เสียงที่เป็นที่รู้จักทั่วโลกเหล่านี้เพื่อแสดงความเคารพต่อต้นฉบับหรือเป็นพื้นฐานสำหรับการสำรวจเสียงส่วนบุคค

Specs

System

System: KRONOS System Version 3.0

Keyboard: 88 key: RH3 (Real Weighted Hammer Action 3)
73 key: RH3 (Real Weighted Hammer Action 3)
61 key: Natural Touch Semi-Weighted

Tone Generator

Synthesis Types: 9
SGX-2: Premium Piano (Acoustic Piano)
EP-1: MDS Electric Piano (Electric Piano)
HD-1: High Definition Synthesizer (PCM)
AL-1: Analog Synthesizer (Analog Modeling)
CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
STR-1: Plucked Strings (Physical Modeling)
MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX: Component Modeling Technology (Analog Modeling)
PolysixEX: Component Modeling Technology (CMT Analog Modeling)

Maximum Polyphony*1*2: SGX-2: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices*1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single-engine.
*3: 100 dual-stereo notes (equivalent to 400 mono voices)

Preset PCM: 314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)

Build-in Expansion PCM Libraries: EXs1 – ROM Expansion
EXs2 – Concert Grand Piano
EXs3 – Brass & Woodwinds
EXs4 – Vintage Keyboards
EXs5 – ROM Expansion 2
EXs6 – SGX-1 German D Piano
EXs7 – SGX-1 Japanese C Piano
EXs8 – Rock Ambience Drums
EXs9 – Jazz Ambience Drums
EXs17 – SGX-2 Berlin D Piano
EXs18 – KORG EXs Collections

PCM RAM Capacity: Approx. 2GB *4
*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).

Wave Sequences: 598 User memory, 187 Preload
Support for stereo multi-samples, synchronization of individual notes, and tempo-based settings.

SGX-2 Program

Premium Piano: Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced.
Modeled String Resonance.
Una Corda sample support

PCM: EXs6：SGX-1 German D Piano
EXs7：SGX-1 Japanese C Piano
EXs12：SGX-1 Austrian D Piano (Option Sound libraries)
8 velocity levels, no Una Corda samples
EXs17：Berlin D Piano
12 velocity levels, including Una Corda samples

Piano Type: 64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)

Oscillator Control: Damper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda

EP-1 Program

MDS Electric Piano: Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.

Electric Piano Model Types: 6
Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A

Oscillator Control: Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

Panel Control: Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

Effect Types: 9
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah

HD-1 Program

Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Structure: Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with its own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.

Oscillators: Virtual Memory Technology (VMT) plays large samples directly from the internal SSD.
8 velocity zones per oscillator, with switching, crossfades, and layering
Each zone can play mono or stereo Multisamples or Wave Sequences

Filters: Two multi-mode filters per voice (low-pass, high-pass, band-pass, and band-reject),
Four-mode filter routings (single, serial, parallel, and 24dB mode)

Driver: Per voice non-linear driver and low boost circuit three bands, with sweep-able mid

Modulation: Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

EXi Program Common

Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Modulation: Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators

EQ: Three bands, with sweep-able mid

AL-1 Program

Oscillators: Ultra-low-aliasing oscillators
OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync

Audio Input: External audio can be processed through the ring modulator, filter, driver, amp, and EQ

Filters: Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),
Multi Filter mode (only Filter-A; modular table mix of Low Pass, High　Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Driver: Per-voice non-linear driver and low boost circuit

Modulation: Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.

CX-3 Program

Tonewheel Organ Modeling: Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brakes Mode

Four additional, user-specified drawbars, and expanded percussion.

Internal Effects: Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Drawbar Control: Controlled via nine front-panel sliders (via Tone Adjust)

Split: Upper, Lower (even in EX mode)

Modulation: Two AMS mixers

STR-1 Program

Physically Modeled String: Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.
Most string parameters can be controlled in real-time.

String Excitation: Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM.
16 preset “pluck” types, with modular table width and randomization. Noise generator with saturation and dedicated low pass filter
PCM Oscillator:
KORG’s ultra-low-aliasing technology, as introduced in the HD-1;
4 velocity zones per oscillator;
Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.
Supports Virtual Memory.
Excitation Filter:
Dedicated 2-pole multimode filter for shaping the string excitation.
The filter can be enabled/disabled separately for each excitation source.
Low Pass, High Pass, Band Pass, and Band Reject modes audio Input and Feedback

Run real-time audio through the string, including feedback through effects.
Modeled feedback includes modulate-able instrument-to-amp distance and orientation.

Filters: Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter Mode (Filter A only).
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Modulation: 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.

MOD-7 Program

Waveshaping VPM Synthesizer: Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.

Oscillators: 6 VPM/Waveshaper/Ring Modulation Oscillators:
Phase and modular table pitch per oscillator.
101 Waveshaper tables plus modular table Drive and Offset.
Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
PCM Oscillator:
KORG’s ultra-low-aliasing technology, as introduced in the HD-1.
4 velocity zones per oscillator.
Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.

Audio input: Run real-time audio through the VPM Oscillators and filters.

Filters: Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)
Two types of filter looping (Parallel and 24 dB “4-Pole”)
Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects patch Panel

Supports both preset algorithm (78 types) selection and free patching.
Three 2-in, 1-out mixers for scaling and merging audio, fully modular table, with phase inversion.
Main 6-input stereo mixer, with modular table pan and volume, plus phase inversion

Modulation: 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

MS-20EX Program

Oscillators: Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Input: Run real-time audio through the synthesis engine and ESP (External Signal Processor)

Filters: 12dB/octave High Pass and Low Pass self-resonant filters
ESP section:
24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel: Patchable audio and modulation, at audio rates

Patch Points: Keyboard:
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO:
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF:
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF:
Total External Modulation In
VCA:
External Initial Gain Control In, VCA In
EG:
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG:
Triangle Out, Rectangle Out
Noise Generator:
Pink Noise Out, White Noise Out
Sample and Hold:
Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA:
Control Voltage In, Signal In, Signal Out
Manual Controller:
Control Wheel Out, Momentary Switch
ESP:
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Others:
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

ESP (External Signal Processor): Use incoming audio as a trigger and/or CV source.

Modulation: Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
Original MG (with MIDI sync), Sample-and-Hold, MVCA,
KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.

PolysixEX Program

Oscillators: VCO:
Saw, Pulse, PWM
Sub Oscillator:
Off, 1 octave below, 2 octaves below

Filter: 24dB (4-Pole) Octave Low Pass self-resonant filter

Effects: Integrated Polysix Chorus, Phaser, and Ensemble

Arpeggiator: Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Modulation: Polysix: Original ADSR EG and MG (with MIDI sync).
KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

Combination

Number of Timbres, Master Keyboard Functionality: 16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
The tone adjusts parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices

Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Drumkit

System: Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

Number of Programs/Combinations/Drum kits

User Memory Programs: 2,560 (1,792 [896 HD-1+896 EXi] come preloaded)

User Memory Combinations: 1,792 (512 come preloaded)

User Memory Drum Kits: 264 (78 come preloaded)

256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

Set List

Number of Set Lists/Slots: 128 setlists, 128 slots per setlist
Each setlist provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted.
Transpose setting.
Hold Time setting of Smooth Sound Transition (SST) supported for each slot.

Sampling

System: Open Sampling System (resampling, In-Track sampling)

Bit Depth/Sampling Frequency: RAM: 16-bit/48 kHz stereo/mono sampling
DISK: 16 or 24-bit/48 kHz sampling Time

RAM: Depends on the amount of available PCM RAM
DISK: Maximum 80 minutes stereo (879MB: 16bit)

Sample Locations: 16,000 samples/4,000 multi samples (128 indexes per multisample)

Ripping: Direct sampling (ripping) from audio CD (CD-DA)

Formats: KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Editing: Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

Effects

Insert Effects: 12
Stereo in / stereo out

Master Effects: 2
Stereo in / stereo out

Total Effects: 2
Stereo in / stereo out

Timbre EQ: One 3-band EQ for each timbre/track

Effect Types: 197

Modulation: Dynamic Modulation and Common LFO

Effects Control Busses: Stereo side-chaining for compressors, gates, vocoders, etc.

Effect Presets: Total 783 preset, Maximum 32 per 1 effect (Preset User)

KARMA

KARMA Modules: One module in Program mode, four modules in Combination and Sequencer modes

Generated Effects (GE): 2,048 presets, 1,536 Users (96 come Preload)

Controllers: On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup

Drum Track Patterns: 718 preset (common with the preset patterns of the MIDI sequencer)
1,000 user patterns
Patterns created in Sequencer mode can be converted to drum track user patterns.
Trigger Mode/Sync/Zone settings can be specified.

Sequencer/HDR

Tracks: 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.

Number of Songs: 200 songs

Resolution: 1/480

Tempo: 40.00 – 300.00 (1/100 BPM resolution)

Maximum Memory: 400,000 MIDI events or 300,000 audio events

MIDI Tracks: 16 tracks plus the master track
718 preset/100 user patterns (per song)
18 preset/16 user template songs,

Audio Tracks: 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.

Other Functions: RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function

General

Disk Mode: Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.

Controllers: Vector joystick, joystick, ribbon controller, switches 1 & 2
Control Surface:
Control Assign Switches:
Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA,
Tone Adjust/EQ
Mixer Knobs Switch:
Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
KARMA Control:
On/Off, Latch, Module Control
DRUM TRACK:
On/Off

Display: TouchView graphical user interface, 8 inch color TFT, SVGA (800×600 dots), adjustable brightness

Outputs: == Analog ==
(MAIN) L/MONO, R:
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R
Individual 1-4:
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono,
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
Headphones:
1/4” stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω),
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
== Digital ==
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)
Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R
USB-B:
24-bit, Sample Rate: 48 kHz, 2 channels
(Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)

Inputs: == Analog ==
Audio Inputs 1 and 2:
1/4” TRS Balanced
MIC/LINE input level switches, LEVEL knobs
Input Impedance: 10 kΩ
Nominal Level: LINE
+4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)
Nominal Level: MIC
–22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)
Maximum Level: LINE
+16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)
Maximum Level: MIC
-10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)
Source Impedance: 600 Ω
Signal to noise ratio: 95 dB (typical)
Dynamic range: 95 dB (typical)
Crosstalk: 95 dB, at 1 kHz (typical)
== Digital ==
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz
USB-B:
24-bit, Sample Rate: 48 kHz, 2 channels

Control Inputs: Damper pedal (half damper supported), assignable switch, assignable pedal

MIDI: In, Out, Thru

USB*5: USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
USB B (TYPE B) x 1, MIDI/audio interface
MIDI: 1 (16 channel) input / 1 (16 channel) output
Audio: 2 channel input / 2 channel output
*5 USB high-speed ports (supports 480Mbps)

Disk Drives: 60 GB SSD (2.5”)
Optional installation of second internal SSD

Power Consumption: 60W

Dimensions (W x D x H): 61 key: 1,040 x 364 x 134 mm / 40.94” x 14.33” x 5.28”
73 key: 1,221 x 371 x 148 mm / 48.07” x 14.61” x 5.83”
88 key: 1,443 x 371 x 148 mm / 56.42” x 14.61” x 5.83”

Weight: 61 key: 14.3 kg / 31.53 lbs.
73 key: 21.1 kg / 46.52 lbs.
88 key: 24.1 kg / 53.13 lbs.

Accessories: AC cord, Quick Start Guide, Accessory DVD Discs 1-3 (DVDs include KRONOS Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)

Principal Specifications

Frequency Response: 20Hz-22kHz, +/-1.0dB, 10k Ω load

THD+N: 20Hz-22kHz, 0.01%, 10k Ω load (typical)

S/N: 95dB (typical)

Dynamic Range: 95dB (typical)

Crosstalk: 95dB, at 1kHz (typical)

* All product, company, and standard names are trademarks or registered trademarks of their respective holders.
* Appearance and specifications of products are subject to change without notice.
* The color of the actual instrument may differ slightly from the image shown here.
* Since natural wood is used in the side panels of this instrument, there will be individual differences in the grain and figuration of the wood.

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